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Key Features
The Ti2 Desktop boasts an all-metal enclosure with a wooden strip on the front. It has loads of knobs and buttons which give you direct access to the most important sound shaping parameters. Like all other Virus Ti synthesizers, a stereo analogue input offers the power to process external signals through the Virus' sound engine.
Product Ref: 11430
A Quality Desktop Synthesizer
The Virus Ti2 Desktop Synthesizer boasts premium quality semi-weighted keys and loads of tactile control, including a tap tempo button. It is a performer's command station. The Ti2 delivers fantastic performance with its studio-level pro grade D/A converters and balanced outputs. You can process other instruments by feeding them through the Virus sound engine using the analogue inputs to open up a completely new level of interaction with your band members.
Click on the links below for MP3 demos of the Access Virus Ti2
Three Main Oscillators and One Sub Oscillator Per Voice
A main oscillator can comprise of various oscillator types including the classic virtual analog oscillators (saw, variable pulse, sine, triangle, 62 spectral waves with several FM modes) and hypersaw (a multi saw-tooth oscillator with up to 9 stacked oscillators, 9 sub oscillators and sync oscillator at the same time). Wavetable oscillators with 100 multi-index wavetables feature variable resolution and optional pulse-width modulation. Graintable oscillators apply granular synthesis techniques for independent control of pitch and formants to warp a waveform beyond recognition. Formant oscillators sound like running a signal through a massive, modulatable filterbank with hundreds of resonant bands being morphed by the wavetable index.
Two Fully Independent Filters
The TI2 features two fully independent filters (lowpass, highpass, bandpass, bandstop) with an optional saturation module located in between both filter blocks. The saturation module can add one of several distortions and lo-fi effects or an additional low/- high-pass filter. Optional self-resonating Moog cascade filter simulation with circuit overload and 1-4 poles.
Two-Dimensional Modulation Matrix with Six Slots
1 source and 3 modulation targets each. Every feasible parameter can be modulated in realtime. Three LFOs with additional hardwired destinations along with one user-definable slot and two lightning-fast, multi-stage envelopes (ADSTR) - LFOs can be used as ramp generators as well.
Explore the FX Section
The FX section has independent delay and reverb per patch (even in multi mode), along with multiple distortion/lo-fi algorithms, phaser, chorus/flanger, character control, ring modulator/shifter, EQ plus a global vocoder. There is no difference between single and multi modes - patches sound exactly the same.
Arpeggiator
Each patch contains it's own arpeggiator pattern, featuring 32 programmable steps (length and velocity can be adjusted per step) along with a global control for swing/shuffle timing and one for note lengths. Pretty much every parameter including the pattern itself, the amount of octaves and many more can be controlled using the modulation matrix.
I/O
6 balanced outputs (+4dB), backed by 192 Khz/24bit D/A converters, with soft-limiting. Two inputs with 24-bit A/D. Dedicated headphone out. MIDI in, out, and thru. S/PDIF digital audio (44.1/48 kHz) inputs & outputs. USB is used for MIDI and audio transmission (adding 3 additional stereo audio outputs) and works at 12Mb/s.
"More addictive and deadlier than ever - this is one Virus that you won't mind catching." - MusicRadar
For further information about the Access Virus Ti2, please download the PDF from the link below.
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