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Stock Location
| UK Distribution Hub: | 8 |
| Swedish Distribution Hub: | 9 |
| German Distribution Hub: | 3 |
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5-year warranty & 30-day money-back guarantee included
If you decide your order isn't suitable for any reason you can return it - just let us know within 30 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.
Eligibility for Money Back Guarantee
Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
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This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.
| UK & Europe | EU Standard | Gear4music Standard | Gear4music Optional |
|---|---|---|---|
| Return Period | 14 days | 30 days | up to 180 days |
| Standard delivery charges refunded? | Yes | Yes | Yes, up to 30 days |
| Upgraded delivery charges refunded? | Standard costs only | Standard costs only | Standard costs only |
| Free collection on cancellation | No | No | Yes, up to 30 days |
| Free collection if defective, delivered damaged or incorrect item | Yes, within 14 days | Yes, within 14 days | Yes, within 30 days |
We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.
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Key Features
The Stylophone CPM DF-8 Modular Analog MultiFilter is made for creators who want a compact setup built for hands on exploration in studio and portable environments. A pair of contrasting filters sits at the heart of the unit.
Product Ref: 325417
The DF-8 houses two filter channels, each built to cover a broad range of tones. The 2045 circuit maintains a calm and rounded response that works well for controlled lowpass shaping. The GEN R 8 circuit offers a more spirited voice that feels lively when resonance is pushed.
Each channel includes lowpass, bandpass, highpass and notch modes plus three additional combination types that create extended responses for broader sculpting. This range makes it simple to form subtle shifts or bold peaks, and both filters react accurately to modulation so crafted movements remain clear within a mix.
Two ADSR envelopes sit at the centre of the modulation system. Each can be triggered by a gate input, by incoming audio, by a manual button or by an auto repeat mode that loops the envelope continuously. When looping is active the envelope behaves like an LFO and can create rhythmic pulses or slow evolving patterns that follow the attack and release curves.
Both linear and exponential responses help shape the timing to match the character of a patch. Envelope signals can drive filters or VCAs which supports more voice like behaviour inside a compact enclosure, and this helps the DF-8 act as both a processor and a sound source.
Two white noise sources introduce grain, air or percussive bite. These can be mixed in gently or pushed for heavier textures. Sample and hold with adjustable slew creates stepped or smoothed random movement suited to evolving lines.
The PT2399 delay adds a vintage style crunch that pairs well with modulated filters and rhythmic sequences. Short repeats can create sharp accents while longer repeats can smear tones into atmospheric pads. Each element encourages open ended experimentation, and the combination of noise, modulation and delay makes it simple to build patches that feel alive.
Power options include AA batteries, an external supply or a Eurorack connector, which keeps the DF-8 adaptable across different environments. A built-in speaker allows quick monitoring, and stereo outputs suit headphones or line level destinations. The enclosure features ribbed sides that allow multiple CPM units to lock together to form a larger system without extra stands or brackets.
Additional CPM units can create a compact modular environment suited to live sets, studio sessions or mobile sound design, and the DF-8 integrates naturally into these setups thanks to its clear layout and varied patch points.
