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| UK & Europe | EU Standard | Gear4music Standard | Gear4music Optional |
|---|---|---|---|
| Return Period | 14 days | 30 days | up to 180 days |
| Standard delivery charges refunded? | Yes | Yes | Yes, up to 30 days |
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| Free collection if defective, delivered damaged or incorrect item | Yes, within 14 days | Yes, within 14 days | Yes, within 30 days |
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Key Features
The Arturia FX Collection 5 continues the legacy of being one of the most comprehensive premium effects suites available. With 34 titles, including four new additions—Bus PEAK, Bus EXCITER-104, Efx MOTIONS, and Efx REFRACT—this suite offers a broad spectrum of sonic enhancement and creative shaping tools. From vintage sound colouring to cutting-edge sonic manipulation, FX Collection 5 provides an unparalleled range of expertly modelled outboard gear and modern plugins designed to enhance your sound, place it in a mix, and transform it into something entirely new.
FX Collection 5 caters to every musical style with its essential, iconic, and inspiring effects. Whether you're looking to use sought-after studio classics or dive into transformative audio shaping, this collection covers all production bases and mixing needs. The inclusion of Bus PEAK and Bus EXCITER-104 provides powerful tools for sonic enhancement, while Efx MOTIONS and Efx REFRACT open up new avenues for creative audio manipulation.
Intuitively designed with modern enhancements, FX Collection 5 strikes an artful balance between ease of use, visual appeal, and deep effect customisation. You can achieve instantaneous results or create and save your own patches, enjoying a seamless user experience whether they are beginners or advanced users. Built upon advanced modelling technologies, this suite combines state-of-the-art digital signal processing with decades of experience in recreating the warmth and character of analogue equipment in the digital domain.
Product Ref: 302766
Now comprising of 34 titles including distortions, granular processors, mix bus processors and parallel processing, modulation, compression, delays, reverbs, preamps and much more. Four brand-new effects are introduced in FX Collection 5: Bus Peak, Bus Exciter-104, EFX Motions, and EFX Refract. Bus Peak is a limiter effect that lets you add the final polishes to your mixes and ensure optimal loudness while preserving detail. Bus Exciter-104 recreates the classic audio signal enhancer in a multi-band format, letting you beef up your kicks, and vocal presence, bringing your mix to life. EFX Motions is a software effect that gives your music the momentum, variety and sonic excitement it deserves. EFX REFRACT is a stereo multi-effect to enrich, texturise and transform any sound from experimental distortions to detuned harmonics.
The Arturia Rotary CLS-222 is a powerful and creative plugin that brings the classic Dynacord rotary speaker emulator to your studio. With its silky smooth stereo swirls, you can add depth and texture to any track. The Rotary CLS-222 features two independent channels with separate controls for speed, acceleration, overdrive, and more. You can also adjust the microphone position to create a wide range of sounds from subtle to extreme. With the onboard EQ section, you can shape your sound even further by adding bass or treble boost or cutting certain frequencies.
The Filter MS-20 is a powerful stereo filter and distortion effect inspired by the iconic MS-20 synthesizer. Designed to breathe new life into your mixes, this audio plugin delivers destructive crunch, roaring filter sweeps, and ultra-fat stereo depth, making any sound massive. Harnessing TAE® technology, Filter MS-20 captures the essence of its namesake synth, offering soft rubbery bass, howling resonant sweeps, subtle fuzz, and outright destruction. Transform any sound into huge, colourful, unstoppable textures and timbres, giving your DAW production the competitive edge you've been seeking.
This digital emulation of a vintage algorithmic reverb unit offers all eight original algorithms, including Small Hall A, Small Hall B, Room A, Constant Plate, Vocal Plate, Large Hall B and Chamber. The Rev LX-24 perfectly recreates the hardware 12 and 24-bit converters to deliver its signature warm, dark sound. It also includes an additional "Modern" converter for a cleaner, more hi-fi sound.
COLDFIRE is a distortion plug-in with 11 algorithms to choose from including analog-modelled and unique digital modes. Using Arturia's celebrated and exclusive TAE modelling technologies, the analog algorithms onboard feel vivid and complex, just like real-world hardware. With two independent distortion buses, you can route them however you like.
The sound of vintage UK console compression. A re-imagined emulation of the legendary Neve-style compressor/limiter, renowned for its warm, smooth and versatile response. A dynamic all-arounder for just about any sound you throw at it, the DIODE-609 set the precedent for contemporary music production. Modern enhancements in the design and functionality pair with the unmistakable sound of the 33609-style compressor/limiter to reinforce your sound with the spirit of signature analog warmth.
Bus Force is a virtual channel strip and parallel processing comprised of four distinctive modules. With built-in filter, EQ, compressor and saturation modules with unrivalled module routing, Bus Force incorporates the priceless sound of vintage outboard gear straight into your DAW.
A highly-musical mastering-grade EQ, the SITRAL-295 models an elusive transistor-based broadcast console EQ. Delivering a warm and characterful sound, the delicate and gentle frequency slopes of SITRAL-295 let you carve out your mix. Bring out the energy and musicality whilst injecting sweetness and analog-modelled character.
The chorus that changed the game. DIMENSION-D accurately models a four-mode stereo chorus processor, delivering the warm and musical tones of a classic BBD circuit. Simple yet mesmerising, the push of one button adds gentle swirls and pitch modulation, transforming your track with depth and warmth.
A dual-phaser that comprises two independent LFOs with switchable, tempo-sync-able waveforms, resulting in a boutique guitar pedal-style phaser pedal. Advanced routing combines two circuit paths for a unique and expressive modulation. Push your tone to the next level by tweaking both circuit paths simultaneously for truly unpredictable sounds.
A studio classic reborn. Modelled from a well-loved outboard processor, Flanger BL-20 is equal measures unpredictable as it is inspiring. Tame the plug-in to get cascading jet engine sounds or drive it into massive, harmonic depth that borders on endless modulation territory. Tap into multiple modulation sources, manipulate LFO shape and stereo spread and plunge harmonic sweeps to uncharted depths.
The 1973-Pre is a faithful recreation of a legendary 1073-style preamp. This now-renowned preamp revolutionised the recording world in the 1970s. Using TAE technology, Arturia has recreated this classic preamp, with extreme attention to detail. The virtual model provides the same distinct colouration and analog distortion, as well as the original, sweet-sounding tone controls. The preamp is comprised of a 3-band equalizer, high-pass filter, input gain and output trim controls, complete with vintage-style rotary controls and classic VU meters, for that classic vintage style. .
The TridA-Pre bases its design on the rare and legendary Trident A Range console. The Trident A Range console was one of the most renowned music consoles on the planet, helping to provide the sound for such acts as The Beatles, David Bowie, Elton John, Queen, T-Rex, Genesis and more. It was widely revered for its beautiful-sounding musical EQ, providing a full-bodied sound with rich tonality. Only 13 of the consoles were ever made, making them one of the most sought-after mixing consoles ever.
The V76-Pre bases its design on the coveted V76 preamp, used in the famous Abbey Road studios and incorporated within the REDD mixing consoles. The V76 helped to shape the sound of"The White Album" by The Beatles, thanks to its tube-based warmth and rich tonality. Building on the original design, Arturia has refined the functionality and hand-picked the best elements for added versatility.
The VCA-65 is based on the legendary DBX165A, a compressor unlike any other. Unlike its competition, the 165a used a solid-state VCA to create its compression effect. These days the DBX165A is highly sought after but thanks to Arturia's TAE modelling you're free to use an unlimited amount of VCA-65s when mixing. When pushed to the extreme you'll hear the VCA65's characteristic grit.
The FET-76 makes everything better. Arturia has authentically modelled the most iconic studio compressor in the world. The combination of the field-effect transistor and Class-A amplifier imparts a subtle yet desirable tone, even at low compression levels. Crank the input and select one of four ratios, or, even engage the "all buttons" mode to really hear the FET-based compressor come alive on any source. Drums, bass, vocals, guitars.
The Arturia Tube STA faithfully recreates the all-American workhorse. The STA was commonplace in broadcast and recording studios during the golden age of production. The original STA was renowned for its intimacy, silky highs and saturation when pushed. The STA was a mainstay on vocals and bass. This was for its ability to transform weak bottom-end energy into warm, harmonically rich tones.
The EMT140 is the ultimate plate reverb. No collection of effects is complete without the inclusion of a luxurious, smooth plate, full of richness. You'll be able to inject tonnes of vintage mojo into your mixes thanks to the inclusion of analog tube preamp with gain compensation. This accentuates the naturally sweet tone of the reverb. The Rev plate comes with three wholly accurate plates; Punchy, EMT and Wonderful.
Not a copy, not an emulation, not a tribute. Rev Intensity will change the way you think about this type of audio effect. Having analyzed and recreated the best studio gear ever made for the FX Collection, Arturia took notes when analysing the classics, combining the best of all things digital into one awesome reverb plugin. Arturia's developers used cutting-edge algorithmic techniques to create a lush, versatile reverb that sounds fantastic and is easy on your CPU.
Originally invented to add some “space” to the sound of Hammond Organs way back in the 30s, the reverb is a relatively simple design of a suspended spring inside a tank. True Analog Emulation handles the electronic side, analyzing and accurately modelling the way the circuitry works, and how it responds to various audio signals. Phi lets us study the physical nature of the reverb, how the spring reacts, and how the tank’s resonance changes the sound.
Modelled after an iconic hardware echo machine from the '70s, Delay TAPE-201 employs a closed loop of tape using sequential playheads to create expansive and rhythmic echo effects. Central to the creation of genres such as dub, Delay TAPE-201 can be played much like an instrument rather than simply being used for creative effect. Ideal for contemporary producers, Delay TAPE-201 features a wide range of modern features for producers of today.
Memory Brigade is Arturia's love letter to the legendary BBD that created a revolution in time-based modulation effects.One of the first, and certainly the greatest BBD delays was the Memory Man, and the slightly redesigned Deluxe Memory Man created by effects pioneers Electro-Harmonix in the mid-70s.
The Arturia Delay Eternity started on the same drawing board as their award-winning, next-gen software synth Pigments. Not only did they want to create a delay with unreal modulation power, but they also wanted to integrate contemporary features that would let both experimental and traditional producers experience delay like never before.
The Mini-Filter bases its design and sound around a renowned Moog-style 24dB low-pass ladder filter. Building on the original design, Arturia has tweaked and updated the filter for the modern music maker. You can use the filter to smooth out audio files or add subtle overtones to a low-level recording. The modulation section is comprised of an envelope follower, step sequencer and an LFO for optimal versatility and sound-shaping capabilities.
The M12-Filter is a faithful recreation of the famous multi-mode filter, from Oberheim's Matrix-12. The sound and parameters have been refined and updated, making it one of the most powerful sound-shaping tools available. The analog filter tone control comes complete with programmable modulation envelopes and a versatile modulation matrix for optimal flexibility.
The SEM-Filter is a faithful recreation of the legendary Oberheim filter the SEM. This versatile filtering plugin is based on the pioneering design of Tom Oberheim. Arturia has gone to great lengths to ensure they capture the essence of the analog sound and tone, as well as improving and refining the filter for modern-day use.
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