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Key Features
Exceptional quality conversion. If you value pristine sound then you need the RME M32 AD Pro 32-Channel A/D Converter in your studio and live set-up. Made from only the finest components and detailed analog circuitry, the AD Pro guarantees stable clocking at all times. It enables you to sync every source within your AVB network at 192kHz sample rates.
Make the most of the complimentary AVDECC controller software, this makes demanding tasks such as the management of all your devices in your network feel like an effortless endeavour. This will free up your time, allowing you to focus on more important tasks!
The AD Pro has been designed to be compatible with a wide range of hardware, all of which can be easily labelled thanks to the handy ability to customise each channel. For maximum reliability, take advantage of the redundant power supplies to ensure you'll be able to work in any environment that comes your way!
Product Ref: 171100
Two major features that make the AD Pro great is its incredible signal-to-noise ration of 120dBA and miniscule THD values. Thanks to this, you'll notice that each and every recording sounds wholly natural with absolutely zero noise and distortion present. The inclusion of internal filters based on the iconic ADI-2 Pro FS reference converters are also perfect for ensuring a linear frequency response at all times.
The AD Pro features the exact SteadyClock FS circuit that exists in RME's industry-leading ADI-2 Pro AD/DA converter. Although its predecessor was impressive, it has nothing on this interface. Thanks to an upgraded analog PLL circuit, the level of self-jitter that the AD Pro offers can normally only be found in master quartz clock mode. The all new design means that jitter is as low as a femtosecond. That's one quadrillionth of a second! Impressive right?
The AD Pro features not one but two MADI I/Os. Each one comes complete with its own individual signal routing. That may sound great but it gets better! The inclusion of an in-built AVB interfaced configured to IEEE 802.1 and 1722.1 open network standards allow you to project 32 audio channels at 192kHz using a single readily available ethernet cable. You'll also be free to manipulate the AD Pro with a variety of third party controllers from other manufacturers. This allows seamless integration into most set-ups.
If you're someone who finds themselves using lots of analog hardware in their set-up then you'll appreciate the widespread compatibility that the AD Pro provides. Every channel can be operated at different line-levels whilst still guaranteeing maximum resolution. Not only can you work in +19dBu and +13dBu, the AD Pro is capable of operating on the SMPTE recommendation of +24dBu. This makes it an excellent choice for film and television.